George Woodard Milks His Farm for Comedy Material

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Front Page / Apr. 19, 2012 11:10am EDT

By Dirk Van Susteren


George Woodard, right, and Al Boright sing one of their bluegrass songs at the Groundhog Opry in Waterbury. (Photo by Dirk Van Susteren) George Woodard, right, and Al Boright sing one of their bluegrass songs at the Groundhog Opry in Waterbury. (Photo by Dirk Van Susteren) It is 9 a.m., and George Wood­ard, doing his barn chores, has just served a heifer a scoop of tasty organic grain. A ques­tion: Will the unfortunate animal now have to endure one of Woodard’s jokes, like, say, this cornball classic: “If a cow laughs, will milk come out her nose?”

Or perhaps his captive audience will hear the one about the guy who falls from a plane, lands in a hay­stack and even­tually beds with the farmer’s daughter. Or, who knows? Maybe a rubber chicken will fly across the stanchions.

George Woodard does rubber chickens pretty good. A physical comic, he mimics real chickens, too, drawing himself up and scratching and twitching with the best of them.

Woodard respects his farm ani­mals— his 25 cows, 11 heifers, three barn cats (two of them extremely personable), and one friendly, over­weight dog named Patches. He will talk to them, pat them, and on this Saturday mor­ning in the barn, when we caught up with him, he’s sparing them his humor.

Not so humans. An audience of 550, a sold-out crowd, groaned and laughed heartily at his antics just two weeks ago at the grand finale of the 2012 Groundhog Opry in Wood­ard’s hometown of Waterbury.

The Opry, the ersatz variety-radio program that makes its way around central and northern Ver­mont every few years, fea­tures a cast of ama­teur actors, deliv­ering jokes and performing ir­reverent skits, and musicians, including Woodard (vo­cal, piano, banjo and guitar), singing and playing bluegrass.

Judges and Actors

Woodard has organized this show with fellow musician and thespian Al Boright of Middlesex. The two over the years have recruited all sorts of characters for the Opry, with varying de­grees of talent, among them (one year) state Su­preme Court Jus­tice Marilyn Sk­oglund, a singer, and Stowe’s Rusty DeWees, the actor and comic who later launched his own persona and show, “The Logger,”

Woodard says his inspirations for the Opry were the old T.V. show “Hee Haw,” especially when Grandpa Jones did his acts; color­ful programs like “Music To Go To The Dump By” that air on his home­town radio station WDEV, and the 1960s television sitcom “Andy of Mayberry.”

“I looked forward to watching the ‘Dillards’ (bluegrass group) on the show,” says Woodard, his gray­ing hair sticking out from under his barn cap.

“There was the father, his daugh­ter and the four boys, all playing and singing bluegrass; and they looked dumb and dirty, and they were fan­tastic.

“I figured I could do that,” says Woodard.

Later, he learned, he could in­deed, and he started keeping a gui­tar on “a little garbage can” in his bedroom.

Woodward says the perfor­mance in Waterbury was his last, but then he hastily offers an amendment. “It is over perhaps only for a few years, because it does take about two months to get it going, and there’s the month of the tour itself, and I have other things I want to do,” he says.

Oh Yes, the Milking!

Among them: keep up the milking.

Woodard, multi-faceted, is at home not only in the barn and on stage but also behind and in front of the camera.

Eight years ago he directed, shot, and acted in his movie, “The Sum­mer of Walter Hacks,” wor­king with his friend and occas­ional milking partner, Gerianne Smart of North Ferrisburgh. She is a marketing specialist, who became the movie’s producer.

“The Summer of Walter Hacks,” came out in 2010, was shown at various Vermont ven­ues and out-of- state film festivals before Woodard de­cided to reel it in for additional editing. Now the movie is making a fresh debut this weekend at the Hyde Park Opera House, which is where Woodard and Boright first began performing, indepen­dently, some 40 years ago.

“The Summer of Walter Hacks” is a sobering coming-of-age, piece, with some violence and a chase scene that would have made Steve McQueen blink. It’s set in rural Ver­mont; the year is 1952, and the show stars Wood­ard’s own son, Henry, who was 11 when the filming began.

Woodard plays the dramatic role of Walter’s debt-plagued father; his nephew Matthew plays Walter’s brother. The cast in­cludes other able and familiar Vermont actors.

The black and white movie was filmed largely in Woodard’s home, his barn, and on his fields, and it reflects many of his boy­hood pas­sions.

Art Imitating Life

Walter, in the movie, is as ob­sessed with cowboy films as was George when he was a lad. There are scenes of Walter racing down paths and across fields on his bi­cycle, as did George while growing up. Walter is tight with his brother, as George was greatly devoted to his late brother, Steve, a respec­ted Waterbury veterinarian.

In the movie, Walter performs in a fiddling contest in hopes of win­ning $150. And in real life, in 1976, George and Steve, on a whim, en­tered a band contest at the Barre Auditorium and, to their surprise, were judged the best and pocketed $75 apiece.

“There were 40 bands, and we won the damn thing, and we weren’t that good,” says George with a laugh.

“We had a good time putting on a show, just a couple of goobers try­ing to sing.”

The goober persona works per­fectly for George in perfor­mances like the Groundhog Opry. But over the years he has played all kinds of roles, many serious, on stage and in other Vermont films, including “Ethan Frome,” “Mud Season,” “My Mother’s Early Lovers,” “Time Chas­ers” and “Nothing Like Dreaming.”

Woodard learned film skills back in the mid-1980s, when he moved to Los Angeles for three years, finding bit parts, building and painting sets, and doing camerawork. He learned, then returned home to the farm, which Steve had been tending.

Pondering the Future

At 59, though still wiry and youth­ful, Woodard has begun worrying about the future of his 200 hill­side acres. It’s at the base of Hun­ger Mountain and offers exquisite views of Camel’s Hump. His grand­father bought the land exactly 100 years ago. For most of the last cen­tury, the place was a dairy farm, but Woodard says neither his son nor any of Steve’s kids wish to farm.

“I am sort of at a crossroads,” he says. “This is a beautiful little farm with meadows and woods; this place means a lot to me.”

He doesn’t want it developed. Nor, apparently, did his dad.

There’s another scene in his mov­ie that’s autobiographical. In it, an agent for a ski company motors up to the Hacks’ farm in a big car, finds the boys in the yard and presses them to locate their dad, so he can persuade him to sell.

As it happens, Woodard was on hand on a day in the mid-1960s when a fellow, who Woodard fig­ures also was a ski-area repre­sen­tative, arrived with an offer for his own father.

“I remember they had an op­tion to purchase the land above and below us, and we were in the middle. so they needed our place,” says Wood­ard. “The man said ‘you name your price,’ and my father said ‘no.’

“He left, and they built Bolton Valley instead,” recalls Wood­ard, referring to the ski resort the next mountain over.

Woodard says he’ll do his best to keep the land open, maybe hope for help from the Vermont Land Trust or some other non-profit organiza­tion.

Cows or no cows, his farm makes for good filming and bad jokes.

Dirk Van Susteren of Calais is a freelance reporter and editor.

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